
19. Intellectual Property |
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- 19.1. What is "intellectual property"?
- 19.2. Forms of intellectual property protection
- 19.3. Intellectual property protection and the Information Society
- 19.4. Intellectual property protection in developing countries
- 19.5. Indigenous knowledge

19.1.
What is "intellectual property"?1
Intellectual property (IP) is an intangible thing – such
as an idea or innovation – that, in most parts of the world,
you can own, similar to the way that you can own tangible things
like a car or a plot of land. The intangible thing can be something
that you have written, drawn, designed, invented, or spoken, and
it can be something that you have created yourself or paid someone
to create for you. Like tangible property, you can buy, sell, exchange
or give away intellectual property, and you can control its use
by others. However, in order for your intangible thing to qualify
as intellectual property so you can gain these rights, you have
to be able to distinguish it from similar things. There are many
different perspectives on intellectual property and many people
feel that current intellectual property regimes need to change.
Some feel that these regimes need to be tightened, to apply stricter
rules to the ownership and control of ideas, while others feel
that there should be fundamental transformation of IP regimes to
ensure equitable public access and stimulate innovation. Some even
argue that IP should be eliminated in its entirety.
Inventions of the mind – ideas – are very special.
All cultures and societies are built upon numerous layers of accumulated
past knowledge and ideas. In the arts, medicine, education, agriculture,
and industry – in almost all areas of human endeavour – knowledge
and ideas lie at the base of human life and its passions.
Intellectual property rights (IPRs) emerged in the industrialised
world as a means to mediate and control the circulation of knowledge,
and as a means of balancing the conflicting rights of different
groups involved in the generation and use of ideas of economic
value. IPRs are premised on concerns that the creators or authors
of ideas should have a material right to a fair return for their
effort and a moral right not to have their ideas misrepresented.
However, ideas are not simply the product of individuals and corporations.
For the most part they incorporate and build upon the traditions,
collective wisdom, and understanding of social groups and societies.
Sometimes they build upon natural creations and processes that
have taken millions of years to evolve. Consequently, society in
general has a social right to use ideas for the benefit of the
public good – especially if they are key to social and physical
well being.
IPRs attempt to balance these rights: the moral, the economic and
the social.
The justification of intellectual property is that it will protect
innovations and allow people to make money by sell-ing their ideas.
Usually the expression ‘intellectual property’ is used
as a legal term to indicate four distinct types of protection given
to intangible property:
• Patents
• Trademarks
• Copyright, and
• Trade secrets.
The rules for IP protection, such as the scope of protection and
the requirements for obtaining protection, are set out and enforced
in laws and regulations of national governments. While the details
of national IP laws can vary, the basic principles are generally
the same. In general, the IP owner is responsible for proving a
violation in order to enforce IP rights.
History
Key events in the development of notions of intellectual property
were the Paris Convention for the Protection of Industrial Property
(1883) and the Berne Convention (1886), where the foundations
of international IP law were laid. Here the concepts of international
respect for copyright, automatic copyright without any need to
register, and the limit of 50 years after the death of the author
were introduced. The Berne Convention revision (1928) added the
concept of moral rights, such as the right to have work acknowledged
and not be disparaged. Again in Berne, in 1996, digital media
were included in the existing rights framework. In the Trade-Related
Aspects of Intellectual Property Rights (TRIPS) agreement, part
of the GATT agreements of 1994, intellectual property was extended
from individual works to intellectual creation, making software
copyrightable. Current IP regimes emerged mainly in Europe and
have increasingly been adopted in the rest of the world.
International
institutions that play a role
There are a number of international treaties and agreements
that aim to harmonise national IP laws across countries. Most
of the key treaties are incorporated under the umbrella of the
World Trade Organisation (WTO) Agreement on Trade-Related Aspects
of Intellectual Property Rights (TRIPS), which sets out the standards
for IP protection among WTO member countries. Members can use
WTO mechanisms to enforce the IP protection offered by these
treaties. The World Intellectual Property Organisation (WIPO)
otherwise administers these treaties and drives the enforcement
of intellectual property law worldwide. It also administers other
international agreements on IP, including the WIPO Copyright
Treaty and the WIPO Performances and Phonograph Treaty, which
require signatory nations to punish people who circumvent technologies
intended to protect copyrighted works. The laws that regulate
patents are national laws, but the agreements such as TRIPS make
sure that these laws are extended internationally.
In practice, what is established as the norm in the USA, and
increasingly in the European Union, is often copied in other
countries. For instance, in Korea, “the Korean Intellectual
Property Office put Business Method Patents into the patent system
by simply importing the US Patent Examination Guideline despite
... different legal principles.”2 As
with so many other things, IP developments in economically dominant
countries tend to determine world trends.
| Current
trends in IPR
In
the last few decades, three trends have emerged: corporations
have emerged as the key owners of copyrighted material; the scope,
depth and duration of copyright has grown hugely, to encompass
not only intellectual work but also plant and life forms, and;
copyright owners wield a formidable set of instruments to enforce
their rights nationally and internationally.
While IPR had traditionally been used by the cultural industries
to reinforce their control over ‘ideas’ and ‘products’,
the threat posed by ‘copying’ in a digital era, has
led to a renewed interest in IPR and to increased investments
in the proprietorial significance of IP. In a knowledge economy,
any content that is a product of the digital manipulation of
data is considered intellectual property. Technically speaking,
even an email message can qualify for IP protection. Some of
the factors that have contributed to the consolidation of a market-based,
global IP regime include the following: shrinking profits in
an era characterised by technological and product convergences;
economic downturn in the telecommunications and dotcoms sectors,
and; the real and imagined threats to corporate profitability
posed by piracy via subversive uses of technology such as MP3
and establishments such as the recently domesticated, peer-to-peer,
netbased music swapping service, Napster.
IPR has affected the public’s access to knowledge in the
public domain and to copyrighted works, limited legitimate opportunities
for cultural appropriations, stifled learning, creativity, and
innovation, thus placing curbs on the democratisation of knowledge.
IPR has also infiltrated into the domain of food and medicine,
threatening the sustainability of indigenous knowledge and biodiversity.
Source: CRIS Campaign, “Why should intellectual property
rights matter to civil society?”, http://www.crisinfo.org/live/
index.php?section=4&subsection=2&doc=11
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19.2.
Forms of intellectual property protection
Patents
A patent is an intellectual property protection that applies
to inventions or designs for inventions, which gives the inventor
exclusive rights to make, use, and sell the invention for a certain
period of time. Usually an invention can include a product or a
process to make a product. In general, the invention must be novel,
useful, and non-ob-vious in order to qualify for IP protection.
Patents commonly cover things like devices, chemical compositions,
and processes for creating devices and chemicals. Some countries
offer patents for ornamental industrial designs, and new varieties
of plants. As part of the application for a patent, the inventor
must disclose the details of the invention or design to the public.
After the period of exclusive rights has expired, anyone can use
the invention or design in any way they wish. The idea behind patents
is that the period for exclusive rights will encourage innovation
because inventors (or those who fund inventions) will have a chance
to recover their costs for research and design. Limiting this period
is intended to encourage the commercialisation of the idea. At
the same time, patents are intended to serve the public good by
encouraging researchers to share information and limit duplication
of effort. The TRIPS treaty obliges WTO member countries to protect
the exclusive rights of patent holders for 20 years from the date
when the application to register the patent was made. Signatory
countries must adopt legislation that gives full product patent
protection by 1 January 2005.

Trademarks
A trademark is an identifying feature that denotes a particular
group of goods or services. It is usually some kind of distinctive
sign – like a word, logo, colour combination, or musical
tones – that is intended to differentiate a company’s
products or services from those of its competitors. It is intended
that clients and consumers will associate the trademark with
the goods or services of the company. Trademarks are protected
as intellectual property in order to allow companies to build
a reputation for their goods and services that can be associated
with the identifying feature. You are not allowed to use a
trademark for your goods and services that is the same as or
similar to a protected trademark if it is likely to cause confusion
among clients and consumers. For example, confusion is likely
to be caused by a similar trademark that is used to identify
similar goods and services, or to identify different products
or services sold in the same market. When choosing a trademark,
you have a responsibility to avoid infringement of other trademarks,
and may be required to conduct a search to make sure that no
one else is using the trademark. In order to protect your trademark,
registration with the national authority is sometimes, but
not always, required. Some countries grant protection to the
first person to use the trademark in the course of business,
but other countries grant rights to the first person to register
the trademark. Even when not required, it is recommended that
you register your trademark to ensure that you can stop others
from using it. For example, if your trademark is registered,
then other people will be certain to find it when they conduct
a search. But once you register the trademark you have to use
it within a given period of time or it could be considered
abandoned. If the trademark is ‘well known’ it
does not always have to be registered. For example, WTO member
countries have to give protection to well-known trademarks
(such as the McDonalds golden arches). Trademark protection
is indefinite, as long as the requirements are met.
A recent source of controversy is the relation between trademarks
and Internet domain names. In some countries, domain names can
be registered only if the registering entity has a proven claim
to that name, such as a registered trademark, or their name and
the domain coinciding. In others, registration of obvious names
of companies or institutions is forbidden except to that organisation.
But in many countries, there is no restriction, and anyone can
register a domain name that is the same as a company’s
or a person’s name or product.
This has led to a number of cases where domain names have been
challenged. These challenges have often been successful, especially
when the domain has been registered with the obvious aim of selling
it, sometimes after using it as a link to a pornographic or gambling
site as a means of applying pressure on potential buyers. Rules
for registering domain names vary from country to country, and
some are stricter than others. In the USA, for domains such as
.com, now used internationally, a dispute resolution mechanism
has been instituted to deal with problems of domain ‘squatting’.
Another contentious issue is the use of trademarks or official
logos in web pages without the consent of the owner of the trademark.
Whilst the inclusion of trademarks within text is generally allowed,
this is normally within the limits of fair dealing. A site that
misleads the public by using trademarks or logos, will have less
chance of protection from the law than one which is clearly a
parody. In the latter case, issues of free speech come into play
and the matter is not clear-cut. It is all very well for a trademark
owner to have the right to challenge its use by a rival company
(for example the producer of a Coca Colalike beverage who makes
use of the Coca Cola logo). However, when, for example, a trade
union uses the logo of a company where workers are on strike
to publicise the labour dispute, limiting the use of the trademark
can constitute a limitation of freedom of expression.
| Fox
News to Franken: "Hands Off 'Fair and Balanced!'"
According to news
reports, Fox News has filed a trademark infringement suit against
humorist Al Franken for use of the phrase "fair and balanced" in
the title of his forthcoming book, "Lies, and the Lying
Liars Who Tell Them: A Fair and Balanced Look at the Right." According
to the New
York Times (requires registration), lawyers for
Fox say the broadcaster "has trademarked 'Fair and Balanced'
to describe its news coverage and that Mr. Franken's use of
the phrase would 'blur and tarnish' it." The
Washington Post reports, "(i)n its fair and
balanced way, Fox News refers in its suit to Franken as an
'unstable' and 'shrill' 'C-level commentator' who is 'not a
well-respected voice in American politics.'"
Source: http://www.info-commons.org/blog/archives/000099.htm | |

Copyright
Copyright is an intellectual property protection granted to
literary, musical and artistic works, including drawings, poems,
films, written publications, and software. It applies to original,
creative works fixed in a tangible medium that is permanent or
stable. It gives the creator the exclusive right to copy, publish,
perform, or broadcast the work, but it does not prevent the independent
creation of similar works by others. It also does not prevent
the ‘fair use’ of the work, such as for news reporting,
teaching, or research.
Copyright exists automatically once the work has been created,
and does not require registration. It usually lasts for the life
of the creator plus 50 years. In most cases, if the creation
is made in a work setting, the employer holds the copyright for
the work. Under the TRIPS treaty, corporate entities can have
the copyright for 50 years from the year of publication, but
under certain conditions the copyright can last much longer.
For example, in the United States such a work can have a copyright
for 120 years from the time of creation or 95 years from first
publication, whichever is shorter. Even though copyright registration
is usually not required in order to gain copyright protection,
it is available in most countries; in some countries registration
is considered proof of the copyright ownership. The copyright
owner must include a copyright notice on the work. On a recording
the copyright notice should include a symbol - ã - with
the year of first publication and the name of the copyright owner.
For other works the copyright notice should include a symbol
or the word “Copyright”, the year of first publication,
and the name of the copyright owner. For example, “Copyright
2003 APC”.
On the internet, copyright is more complicated. While the material
is not in printed form, normally the form covered by copyright,
a text on a computer screen can be printed and reproduced in
hard copy. Also, internet tools such as email and the World Wide
Web makes copies of material as part of the way they function.
When you click on a link on a web page, your browser sends a
message to the server where the document is stored, requesting
a copy of a file which it converts into the visually accessible
page you see on your screen. On the way to its destination, the
file, perhaps containing copyrighted text, is copied and stored
on several other computers. It would be reasonable to ask an
author who puts his/her work on a web page whilst prohibiting
its being copied: “Why do so if you know that to read the
file it must be copied?” In practice, copying copyrighted
material on the internet is accepted, provided it is only for
the purpose of reading.
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In
the United States, the Sonny Bono Copyright Term Extension Act
of 1998 retroactively extended the duration of copyright from
the life of the author plus 50 years to the life of the author
plus 70 years, in the case of individual works, and from 75 years
to 95 years in the case of works of corporate authorship and
works first published before 1st January 1978.
Under the Berne Convention states are required to provide copyright
protection for a term of the life of the author plus 50 years.
However, the convention permitted parties to provide for a longer
term of protection, and between 1993 and 1996, the European Union
provided protection for a term of the author’s life plus
70 years. The United States, however, only provided for the minimum
required by the convention. As a result, many literary works,
movies and fictional characters, which were quite profitable
for the copyright owners, were threatened with passing into the
public domain. This included several characters owned by the
Walt Disney Company; without the act, Mickey Mouse would have
entered the public domain between 2000 and 2004 when early short
films such as Steamboat Willie and Plane Crazy were due to reach
the end of the 75-year copyright term. As a consequence of the
act, no copyrighted works will enter into public domain due to
term expiration in the United States until 1st January 2019,
when all works created in 1923 will enter into public domain.
Source: http://www.wikipedia.org/wiki/ Sonny_Bono_Copyright_Term_Extension_Act
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Copying music is more controversial. Modern digital technology
allows easy copying of compact discs and sending of music in
various formats, such as mp3, via the internet. Peer to peer
(p2p) software has been developed to allow the sharing of these
and other files without the intervention of a central database
or a web page, that is directly between two people who are connected
to the internet. The multinationals which dominate the music
industry today have taken several companies, such as Napster
and Kazaa, to court to try to preventhis, but the decentralised
nature of modern p2p programmes makes this extremely difficult,
if not impossible, to enforce, unlike the direct selling of pirated
CDs in the street. Another example is the attempted prosecution
of those who made available software (DeCSS), which permits DVD
disks to be copied on a computer.3

Trade Secrets
A trade secret is confidential business information that gives
its owner a competitive advantage, such as techniques, processes,
recipes, or methods. Trade secrets are protected as intellectual
property where they are valuable to the owner and steps are taken
to keep the information confidential. They are not protected
if someone else independently obtains the information.4
The TRIPS Armoury
A key means by which IPR has been reinforced and extended
is through TRIPS and the Copyright Treaty (1996) that was negotiated
by the World Intellectual Property Organisation (WIPO). These
agreements have been used as a means to tie trade with IP, as
templates for national legislation on IPR and for ensuring the
harmonisation of global agreements such as TRIPS with local IP
legislation. These global agreements have been backed by trade
associations, such as the Motion Picture Association of America
(MPAA), groups like the US-based International Intellectual Property
Alliance (IIPA) and corporations such as AOL-Time Warner, Microsoft
and IBM. These groups are all concerned with issues such as the
impact of piracy on profits, and are keen to extend the life
of copyrights and patents, thus profiting from royalties and
licensing agreements by creating more or less permanent enclosures
over cultural property.
“The CD will be a memory
in 20 years”
“In the United States, in 10 years probably 90% of people
will get 90% of their music from the Internet. In 20 years time,
the record companies will distribute their products only in digital
form. People will look at CDs as memories from the past. It’s
unquestionable.”
Mark Hall (vice-president, Real One) and Rob Reid (president,
Listen.com/Rhapsody) when asked about the future of digital music.
Source: Ciberpais, 31st July 2003, p. 6
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The TRIPS agreements cover patents, industrial design, trademarks,
geographic indicators and appellations of origins, layout design
of integrated circuits, undisclosed information on trade secrets,
and copyrights (literary, artistic, musical, photographic, and
audiovisual).
TRIPS favours industrialised countries and trans-national copyright
industries, while limiting the freedom of countries, especially
less-industrialised ones, to design IPR regimes to meet their
economic, social, and cultural needs. Especially onerous are
TRIPS provisions on the patenting of life forms and pharmaceuticals
and the appropriation and commodification of indigenous knowledge
by international corporations.
19.3. Intellectual property protection and
the Information Society
Intellectual property protection is intended to reward innovation,
and to allow people to make money from their ideas. The rules
that govern intellectual property are set out in the laws and
regulations of national governments, and enforced at the national
level. However, the emergence of the global information society
has made intellectual property an international issue. Modern
information and communications technology (ICT) makes it easy
and cheap to copy, modify, and disseminate ideas and information
in a wide variety of forms, including audio, video and text.
And the global nature of information networks makes worldwide
distribution possible in a matter of seconds. In particular,
computer technology has made the copyright concept of “tangible
medium” less obvious, in that information is so easily
heard, viewed, or exchanged without ever taking a physical form.
Technological developments have raised copyright enforcement
issues as well, largely because it is more difficult to prosecute
offenders now due to the speed of technology changes, the volume
of infringement, the difficulty in tracking offences across international
borders and the decentralised nature of peer to peer networks
that copy material.
The worldwide trend is toward harmonization of IP laws and a
focus on enforcement, but the views on intellectual property
vary widely. Many people support the move toward stronger IP
laws that are better enforced around the world, in order to protect
the profits of people and companies and foster creativity. They
argue that the creator has a moral right to control his own work,
and that creators must be compensated for their work, both be-cause
that is the ethically right thing to do and because it will help
foster a creative society that will bring broad benefits to more
people. Others argue that the very nature of information is linked
with the concept of sharing and wide use, and that the realities
of today’s information society demand an entirely new philosophy
about intellectual property. They claim that the gains for society
when information is shared outweigh the interests of IP owners.
They also argue that copyright laws are defective, pointing out
that mainstream publishers and music companies make far more
profit than creators. Many also question the concept of “originality”,
suggesting that few ideas are so original that they warrant protection
as intellectual property. Also, new thinking on the social value
of shared information makes it difficult to impose criminal penalties
for copyright infringement where there is no “intent to
profit”.
‘Open’ knowledge sharing
New ideas about intellectual property have emerged in recent
years that appreciate the importance of creators’ rights
while at the same time recognising the value to be gained from
sharing knowledge and information. The concept of ‘open’ knowledge
aims to create an environment where people share information
in order to build on one another’s work, but creators get
certain rights because of their original contribution.
Free and open source software
Most software that you buy online or in a store is distributed
by proprietary software companies that have a copyright giving
them the exclusive rights to publish, copy, modify, and distribute
the software. They make most of their money by selling an “end
user license” to people who use the software programme
on their computers. The end user license agreement limits the
way you can use the software – for example, only allowing
non-com-mercial uses – and it often restricts you from
sharing the software programme with anyone else. You usually
agree to these terms either by opening the software packaging
(a ‘shrink wrap’ license), or by clicking “I
agree” in a license window that appears when you install
the software on your computer (a ‘click’ license).
Proprietary software companies do not allow the modification
of the underlying programming code for the software, the ‘source
code’. The programming code in which the software is written
must be compiled or converted to a form, which will run efficiently
on the computer, before it is distributed to the user. In this
process the original code becomes inaccessible. If you had access
to the source code you could copy, recreate or modify how the
software works, and that would allow you to make a similar application
very easily (assuming you are a software programmer, or can pay
or persuade one to do the work for you!). Access to the source
code would also allow you to make unlimited copies of the software
programme (for example, by enabling you to circumvent the built-in
copy prevention mechanism). So proprietary software companies
keep the source code secret, and they build security mechanisms
into the software that prevent you from circumventing the end
user agreement. Usually, no one ever has access to see how the
source code works. When other people want to make compatible
software programmes that will work with the proprietary software,
the copyright owner will tell them only what they need to know
about how the programme works.
Digital
Millennium Copyright Act of 1998 (DMCA)
Under the DMCA, a corporation may do many things not traditionally
protected in the U.S., such as legally destroy materials a person has
bought from them, deny a person's right to sell their used copy of a
published work, deny a critic or academic access to the material, or,
as has happened in this case, silence and imprison people who point out
exploitable flaws in their software.
Not only is this
not traditional copyright law, but it is unconstitutional and
harmful to the nation, allowing a programmer or company to
effectively decide what is illegal or not, allowing industry
associations to circumvent the First Amendment rights of individuals,
and making security experts afraid to report on their findings.
The DMCA is a law
written by a corporation-friendly Congress (H.R. 2281 - 105th
Congress) for the benefit of massive corporations with the
approval of their lobbying groups like the Recording Industry
Association of America (RIAA), the Motion Picture Association
of America (MPAA), and the Association of American Publishers
(AAP), all of whom support the arrest of Dmitry Sklyarov. The
stated intention of the law is to protect the artists' copyright
under international treaty. The result has proved something
very different.
Some examples:
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Used booksellers
and libraries are under direct threat by these measures,
and, as reported in the Washington Post (February 7, 2001;
Page C1), the AAP is actively trying to close them out
of the electronic book business entirely.
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Professor Felten
of Princeton University cannot discuss his paper on a proposed
CD standard for fear of retaliation by the RIAA.
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Links on the
web to code written by a Norwegian minor by the name of
Jon Johanssen to allow DVDs to be played on unsupported
computers were declared illegal.
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Dmitry Sklyarov,
who helped to create software that allows the legitimate
owner of Adobe Systems Inc.'s brand of "electronic
book" (e-book) files to convert them into generic
files, was arrested under the provisions of the DMCA on
July 16 , 2001, in Las Vegas, Nevada, where he was speaking
to a computer security conference on the techniques Adobe
uses in their e-books. His company won its court case.
Source: Campaign
for Digital Rights http://ukcdr.org/issues/sklyarov/ |
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| Ruben
Blades puts his music on the Intenet for free
The singer and actor Ruben Blades has
put all his latest songs on the web. Anybody can download them
for free, and give a donation if they wish. Said Blades: “ Send
us afterwards what you think is fair for the work done. This
experiment will determine whether in the future we can get rid
of the middleman and offer our works more cheaply, making sure
the profits go directly to the artist.”
Source: Ciberpais,
31st July 2003, p. 6 |
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Perhaps the best-known examples of the new thinking about intellectual
property are open source and free software. Open source software
is software that is made publicly available with the source code
open for other programmers to look at. When programmers can read,
modify, and redistribute the source code for a piece of software,
the software evolves as people improve it, adapt it, and fix
bugs. The creator of an open source software application holds
the copyright for his work, but distributes the software under
a license that grants a number of substantial rights to the user.
Free software has specific social objectives, and uses a form
of a license based on four freedoms:
• The freedom to use the software freely. The user has the
right to install and use the software on any and as many computers
as he likes and use it for professional or private purposes or
both.
• The freedom to modify the software to suit the user’s
needs. The user has the right to change how the software works,
can extend its functionality, fix bugs or combine it with other
software applications to fit specific needs.
• The freedom to have access to the source code to exercise
the right to modify the software.
• The freedom to redistribute the original or modified software,
either at no cost or for a fee.
The term ‘free software’ is not used to indicate
that the software costs nothing. In fact, free software is often
sold, as in a ‘distribution’ of GNU/Linux such as
Red Hat or SuSE. The ‘free’ in ‘free software’ refers
to freedom, not to money. Open source does not only refer to
the ability to access the original code, although this is the
obvious interpretation, and one which some of the more commercial
users of the term prefer. Free software is developed by a huge
community of programmers, testers, translators, etc, all collaborating
via the internet, largely without receiving payment. It thus
poses a challenge not only to the proprietary software companies’ products,
but also to their way of producing commodities, their business
practices and their forms of organisation.
The debate around free versus proprietary software
Microsoft Windows and Office proprietary software comes pre-bundled
with most new personal computers and has a market share of just
over 90% of the world market. Microsoft’s Word, Excel and
PowerPoint products have become synonymous with text documents,
spreadsheets and presentations, and are standards for the electronic
exchange of information. The ability to use basic Microsoft products
is a valuable skill in almost every occupation and often is required
by employers. Proponents of Microsoft Windows and Office proprietary
software claim that businesses and individuals that cannot use
Microsoft Office applications are clearly at a disadvantage in
today’s computing environment, because of their widespread
use. Training and user support for Microsoft applications is widely
available around the world. In addition, the enormous user base
makes it easy to find informal help from friends or co-workers.
On the other hand, critics argue that Microsoft products are expensive,
involve frequent upgrades, and require increasingly powerful equipment
to run. Moreover, some complain that the software is too complex,
unreliable, and insecure. Another argument is the criticism of
the dominant position of Microsoft in the software market, which
allows it to dictate to consumers, impose its own criteria and
determine trends in software development and thus computer usage.
Microsoft’ s monopolistic practices have been challenged
in the courts in both the USA and the EU. A free alternative to
Microsoft will break this monopoly and encourage diversity, improving
standards and services.
Once confined to technically advanced users, free software applications
such as the GNU/Linux operating system have entered the mainstream
market and are today used in many sectors of industry and services
on backend server computers as well as desktop workstations. Proponents
argue that free software is an ideal solution for developing countries
because it can run on low-end hardware, is easy to maintain and
very secure, and unlike proprietary software, free software comes
with the permission for anyone to use, copy, and distribute it,
usually free of charge. So a country such as China can create its
own versions of GNU/Linux, tailor-made to the special needs and
conditions of that country. Having the source code means that any
suspicions that spyware programmes have been inserted into the
programme can be excluded by checking the code. The previous difficulties
in installation and hardware recognition have been overcome, although
some problems still exist with peripheral devices.
A major distinction of free software is the user’s ability
to modify the software code. The free school of software development
argues that this leads to better software products, which can be
developed in less time. Proponents of proprietary software argue
that the open source success is based on a non-sustainable business
model, only possible because of indirect funding through universities
and tax money. Both open source and proprietary software proponents
claim that their software development model will foster a domestic
software industry in the long-term. The impact of the freedom to
modify the source code on users’ attitude towards technology
has not been investigated enough to indicate if it will lead to
more and better computer scientists or not. However, the growing
free software movement, and the quality of many free software applications
that already exist, indicate that it must be taken seriously as
an alternative to proprietary software. Already, developing countries
such as Brazil, China, and India, are adopting GNU/Linux as a major
alternative to dependence on the Microsoft monopoly.5
MIT OpenCourseWare programme
In the educational environment, open content enables the modification and re-use of teaching and learning materials. Coursework that is published as open content can be used at no cost by anyone. The Massachusetts Institute of Technology (MIT) has decided to support open content creation and started a pilot programme to publish its coursework under the "creative commons" license. Its OpenCourseWare programme will eventually make the teaching materials for all MIT courses available free of charge on its website.
Source: http://ocw.mit.edu/index.html |
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Open content
While open source deals with software, open content brings
the same approach to a range of other creative works, such as
websites, music, film, photography, literature, and learning
materials. In this case, the creator has a copyright on the work
but allows its use by others un-der an open content license.
There are several widely used licenses that differ somewhat with
regard to the rights they grant a user and the protection for
the creator, but they stem from the same ideas, and originally
found their inspiration in the GPL software licenses (copyleft).
Generally the users are allowed to copy, publish, and redistribute
the work as long as the original author is given credit, and
to modify the work as long as all modifications are clearly marked
as such. The supporters of open content believe that free availability
of content for others to use, modify and distribute will allow
people to work collaboratively and build on each others’ work
to contribute to a greater body of knowledge, while at the same
time reducing duplication of effort.
The Public Library of Science (PLoS) is a non-profit
organization of scientists and physicians committed
to making the world's scientific and medical literature
a freely available public resource.
The internet and electronic publishing enable the creation of public
libraries of science containing the full text and data of any published
research article, available free of charge to anyone, anywhere in
the world. Immediate unrestricted access to scientific ideas, methods,
results, and conclusions will speed the progress of science and medicine,
and will more directly bring the benefits of research to the public.
To realize this potential, a new business model for scientific publishing
is required that treats the costs of publication as the final integral
step of the funding of a research project. To demonstrate that this
publishing model will be successful for the publication of the very
best research, PLoS will publish its own journals. PLoS Biology is
accepting submissions now, and the first issue will appear in print
and online in October 2003. PLoS Medicine will follow in 2004. PLoS
is working with scientists, their societies, funding agencies, and
other publishers to pursue our broader goal of ensuring an open-access
home for every published article and to develop tools to make the
literature useful to scientists and the public.
Source: http://www.publiclibraryofscience.org/ |
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Creative
Commons
Creative Commons is a non-profit corporation founded on the
notion that some people may not want to exercise all of the intellectual
property rights the law affords them. We believe there is an
unmet demand for an easy yet reliable way to tell the world ‘Some
rights reserved’ or even ‘No rights reserved.’ Many
people have long since concluded that all-out copyright doesn’t
help them gain the exposure and widespread distribution they
want. Many entrepreneurs and artists have come to prefer relying
on innovative business models rather than full-fledged copyright
to secure a return on their creative investment. Still others
get fulfillment from contributing to and participating in an
intellectual commons. For whatever reasons, it is clear that
many citizens of the Internet want to share their work – and
the power to reuse, modify, and distribute their work – with
others on generous terms. Creative Commons intends to help people
express this preference for sharing by offering the world a set
of licenses on our Website, at no charge.
Our first project is to offer the public a set of copyright licenses
free of charge. These licenses will help people tell the world
that their copyrighted works are free for sharing – but
only on certain conditions. For example, if you don’t mind
people copying and distributing your online photograph so long
as they give you credit, we’ll have a license that helps
you say so. If you want the world to copy your band’s MP3
but don’t want them to profit off it without asking, you
can use one of our licenses to express that preference. With
the help of our licensing tools, you’ll even be able to
mix and match such preferences from a menu of options. Attribution:
Permit others to copy, distribute, display, and perform the work
and derivative works based upon it only if they give you credit.
Noncommercial: Permit others to copy, distribute, display, and
perform the work and derivative works based upon it only for
noncommercial purposes. No Derivative Works: Permit others to
copy, distribute, display and perform only verbatim copies of
the work, not derivative works based upon it. Share Alike: Permit
others to distribute derivative works only under a license identical
to the license that governs your work. .... If you prefer to
disclaim all ownership – in the footsteps of innovators
ranging from Benjamin Franklin to modern-day software pioneers – we’ll
help you do that, too. You can dedicate your work to the pool
of unregulated creativity known as the public domain, where nothing
is owned and all is permitted. In other words, we’ll help
you declare, ‘No rights reserved.’
Source: http://creativecommons.org/faq#faq_entry_3311
Copyright by Creative Commons under the Attribution License.
The licensor permits others to copy, distribute, display, and
perform the work. In return, licensees must give the original
author credit.
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Patenting of ideas and software
Although patents have been allowed on ideas and software, traditionally
there have been restrictions on this, which meant that patents were granted
mainly on inventions of physical things. Recent interpretations of the
patenting laws in the USA have led to in increase in software patents.
Instead of the code from a computer programme being protected by copyright,
similar to a literary work, it is treated as if it were a technological
invention. There are two main problems here.
First, any one programme will always use many different sub-programmes,
and some of these may be patented already. So software patents can make
software copyright useless. As more and more software ideas are patented,
to find out if your programme uses already patented ideas will be extremely
costly or impossible. One copyrighted work could be covered by hundreds
of patents and the author could be sued for patent infringement without
even knowing that he/she is using those patented ideas. This situation
will make software programming extremely costly, and only the lawyers
will be happy. Small companies will find it increasingly difficult to
support the cost of the necessary legal advice.
Second, software patents are extremely broad, because they cover ideas,
not concrete ways of doing or making things, so basically anything
is patentable. For example, a traditional patent could be of a technique
for making buttonholes. But a patented idea could be the concept of
a buttonhole. If this seems ridiculous, the truth is sometimes stranger
than fiction. Attempts to patent the wheel and all possible telephone
numbers were surprisingly successful at first. But Amazon has the patent
for oneclick purchasing, and prevented its competitor Barnes & Noble
from using this idea. It is not a programme they have patented, not
a complicated code sequence, but the idea of one-click purchasing.6Recently,
the European Parliament approved a Patents Directive which
had been amended to exclude software from patenting, in response
to a campaign against this.7
19.4. Intellectual property protection in
developing countries
Overall, intellectual property protection has not been a priority
for developing countries until recently. Previously, colonial
systems instituted IP regimes that primarily protected the interests
of colonising nationals and businesses. IP laws were seen as
a tool for foreigners to protect their profits. During subsequent
post-colonial periods, there was very little enforcement of intellectual
property rights, and counterfeiting, illegal copying, and pirating
were common. In some countries, local industries were built around
intellectual property violations, such as the infamous software
pirating industries of Asia. Many argue that it is OK for developing
countries to copy things like music, films and software that
come from developed countries because it brings profits to the
local economies where it is needed most. Others highlight the
costs to local industries and artists that cannot gain IP protection
for their work in the domestic market and cannot compete with
low cost copies made by others. For example, the lack of intellectual
property enforcement in Ghana is said to be responsible for the
migration of many Ghanaian recording artists to Europe where
their work can be protected.
Previously it has been the case that many developing countries
did not have patent laws in place, and this created an environment
where people could exploit inventions patented in other countries.
Pharmaceuticals and agro-chemicals are two areas where this was
a particular issue. The WTO, WIPO and others (notably developed
countries where patent holders have a powerful voice) have been
urging developing countries to update their patent laws. The
US and European pharmaceutical industries argue that patent protection
is needed so they can sell their drugs at a price that will allow
them to recover the enormous costs involved in drug research
and development. They say that developing country governments
must enforce their intellectual property rights against locally
manufactured generic versions of their drugs that would be sold
for far less. IP proponents point out that national patent laws
would also help foster domestic drug industries in developing
countries, which would attract foreign investment and result
in increased employment and exports. Developing countries hold
the position that their immediate need for drugs to deal with
the monumental healthcare crises they face is a greater priority
than intellectual property enforcement for foreign pharmaceutical
companies. Many are acquiescing to pressure from international
organisations and complying with their obligations un-der international
treaties, but the cases of South Africa, India and Brazil, which
threatened to ignore the patents on HIV antiretroviral drugs
and produce or import their own cheap substitutes for these drugs,
has shown the hollow nature of the pharmaceutical companies’ arguments.
Coupled with a huge campaign in conjunction with civil society
to denounce the immorality of the high prices demanded by the
companies for their products, which in practice meant the death
of millions of people from AIDS and little or no sales in poor
countries, these countries were able to pressure the pharmaceutical
industry into accepting much lower prices. This significant victory
for developing countries shows that international campaigns can
have an effect on industrial sectors that seem omnipotent.
19.5. Indigenous knowledge
Indigenous knowledge is another concept that pushes the boundaries
of traditional intellectual property regimes, based on the notion
that communities share in the value of the knowledge that they
hold as a group because there is no single creator or discoverer
of the information. Indigenous knowledge is information and wisdom
that is locally held and unique to a particular culture or community,
usually within developing countries. The body of indigenous knowledge
is often maintained through an oral tradition where knowledge
is handed down through the generations via storytelling. Information
is usually considered ‘indigenous’ where it is different
from the kind of information commonly learned in conventional
educational systems. Rather, indigenous knowledge is gleaned
at the local level and emerges from the historical lessons of
daily life in the local context. It is not considered to be the
property of any one person or group, but rather of the entire
community.
There is increasing recognition of the role that indigenous knowledge
systems play in development. In particular, indigenous knowledge
is being used in the creation of sustainable and environmentally
sound approaches to agriculture and natural resource management.
It is also being tapped to inform decision-making on food security,
healthcare, education, and other areas. There is a growing interest
in capturing indigenous knowledge in audio, film and written
formats in order to help communities gain intellectual property
protections for it. For example, knowledge of local plants that
have medicinal value can be recorded and exploited economically
for the benefit of the community. This is particularly important
in the context of biotechnology and biopharmaceutical industries.
And ICT is helping to make indigenous knowledge more accessible
and easier to disseminate. For example, as existing indigenous
knowledge resources becomes linked, it allows knowledge sharing
among communities with similar circumstances in different parts
of the world.
Some indigenous people see a need to make a permanent record
of this knowledge for future generations, as they believe such
generations will be less reliant on traditional ways. And also,
it helps to demonstrate their rightful ownership of the land
and their own knowledge, which in some cases has been threatened
by private companies attempting to patent drugs known by indigenous
peoples for many years, or by art dealers who exploit traditional
indigenous, sometimes sacred, designs.

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Ancient
traditions preserved
On Elcho
Island, in the north of Australia, aborigines are using ICTs
to preserve their traditional knowledge system. They are
recording oral traditions, normally passed down in non-written
form from generation to generation. The whole variance of
their rich cultural tradition will be digitalised to prevent
it from being lost and saved in a complex database. The intellectual
system of the different clans of the tribe, expressed in
words, music, dance and painting will live on in the computers
of the Galiwinku Knowledge Centre.
Similar projects are under way, or under consideration, elsewhere
in the traditional Aboriginal world: in the Pitjantjatjara
lands of Central Australia, where a vast online archive of
old photographs and stories has been established; and at
Wadeye and Belyuen in the Top End, where old songs have been
recorded on digital audio.
Howard Morphy of the Centre for Cross-Cultural Studies explains: “New
technology is allowing people to
store and access their cultural
knowledge. This is part of an emerging shift of great importance.”
Source: http://australianit.news.com.au/articles/ 0,7204,6569260%5e15302%5e%5enbv%5e,00.html |
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